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Livres anciens et modernes

Fowler Caroline

Drawing and the Senses: An Early Modern History (Hardback)

Harvey Miller Publishers, 2017

90,00 €

De Bei Libraio

(Preganziol, Italie)

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Mode de Paiement

Détails

Année
2017
ISBN
9781909400399
Lieu d'édition
London
Auteur
Fowler Caroline
Volume
1
Éditeurs
Harvey Miller Publishers
Format
220 x 280 Mm.
Edition
Edition originale
Description
Neuf
Description
Couverture rigide
Etat de conservation
Neuf
Langues
Italien
Premiére Edition
Oui

Description

Drawing and the Senses: An Early Modern History (Hardback) edited by Caroline Fowler Editore: Harvey Miller - Distributore Brepols N.V., Belgium (2017) ISBN 10: 1909400394 ISBN 13: 9781909400399 Rilegato Nuovo Quantità: 1 Prezzo: EUR 90,00 Descrizione: Brepols N.V., Belgium, 2017. Hardback. Condizione: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Jusepe Ribera (1591-1652), Guercino (1591-1666), Stefano della Bella (1610-1664), Abraham Bloemaert (1566-1651), and Peter Paul Rubens (1577-1640) all created printed drawing lessons dedicated to the practice and theory of drawing. These artists composed wordless compositions on a page of eyes, ears, hands, mouths and noses, configurations that were ostensibly meant to teach the practice of drawing. Yet as this book argues, these were not only pedagogical treatises on practice but also theoretical works on draftsmanship made by the most influential European draftsmen. This book is the first theoretical consideration of these major works. Reading these treatises in the context of an early modern intellectual history of the senses, this book examines how artists visually theorized the process of producing knowledge through making lines on a page. Beginning with the pedagogical treatises of Albrecht Durer and progressing through the pedagogical writings, drawings, and printed drawing books of early-modern draftsmen, this book traces a history of the senses and drawing, demonstrating how shifting concepts of the body, divinity and god changed the processes by which artists conceived of drawing the world, themselves and others. Codice articol 011251 - Language : english text
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