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Livres anciens et modernes

Hamburger, Jeffrey F. [Editor], Bouch?, Anne-Marie [Editor]

The Mind's Eye: Art and Theological Argument in the Middle Ages (Publications of the Department of Art and Archaeology, Princeton University)

PRINCETON UNIVERSITY PRESS, 2006

125,00 €

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(Preganziol, Italie)

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Mode de Paiement

Détails

Année
2006
ISBN
9780691124766
Lieu d'édition
Princeton New Jersey
Auteur
Hamburger, Jeffrey F. [Editor], Bouch?, Anne-Marie [Editor]
Pages
447
Volume
1
Éditeurs
PRINCETON UNIVERSITY PRESS
Format
220 x 280 mm>
Edition
Edition originale
Description
Neuf
Description
Couverture souple
Etat de conservation
Neuf
Langues
Anglais
Premiére Edition
Oui

Description

The Mind's Eye: Art and Theological Argument in the Middle Ages (Publications of the Department of Art and Archaeology, Princeton University) Hamburger, Jeffrey F. [Editor]; Bouch?, Anne-Marie [Editor]; Editore: Princeton University Press (2005) ISBN 13 : 9780691124766 Nuovo Brossura Quantità: Prezzo: EUR 125,00 Descrizione: Princeton University Press, 2006. Paperback. Condizione: New. xiv, 447 pages : illustrations ; 29 cm. Paperback . Clean, unmarked pages. The Mind's Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images? These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages. Codice articolo 011253 - Language : english text
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