Description

p. 114 +, 27 x 21 cm, bross., num. b/w & col. ill. In This Issue/On Translation Janet A. Kaplan Responses Patricia Phillips and Maxine Payne Caufield Contemporary Indian Art Guest edited by Andrew L. Cohen and Marcella C. Sirhandi Guest Editors' Statements Andrew L. Cohen Contemporary Indian Painting: A Portfolio R. Siva Kumar Modern Indian Art: A Brief Overview Mary-Ann Milford-Lutzker Intersections: Urban and Village Art in India Ajay J. Sinha Contemporary Indian Art: A Question of Method Marcella C. Sirhandi Manipulating Cultural Idioms Preminda S. Jacob Between Modernism and Modernization: Locating Modernity in South Asian Art Features María Fernández Postcolonial Media Theory Michael Godby William Kentridge: Retrospective Simon Leung with Janet A. Kaplan Pseudo-Languages: A Conversation with Wenda Gu, Xu Bing and Jonathan Hay Reviews Jonathan Applefield on Off Limits: Rutgers University and the Avant-Garde, 1957-1963; Emmett Williams and Ann Noël, eds., Mr. Fluxus: A Collective Portrait of George Maciunas, 1931-1978; Ken Friedman, ed., A Fluxus Reader; Andrés Zervigón on Lisa Saltzman, Anselm Kiefer and Art after Auschwitz; Anselm Kiefer: Works on Paper in the Metropolitan Museum of Art; Matthew Biro, Anselm Kiefer and the Philosophy of Martin Heidegger; Robert Morgan on Global Conceptualism: Points of Origin, 1950s-198os; Margaret Werth on Naomi Sawelson-Gorse, ed., Women in Dada: Essays on Sex, Gender, and Identity; Edward J. Sullivan on Anthony W. Lee, Painting on the Left: Diego Rivera, Radical Politics, and San Francisco's Public Murals; John Alan Farmer on Hans Haacke, AnsichtsSachen/Viewing Matters