La tradizione della ?Commedia? dai manoscritti al testo. II I codici trecenteschi (oltre l'antica vulgata) conservati a Firenze

cm 17 x 24, viii-610 pp. con 89 figg. n.t. e 64 tavv. f.t. a colori. Biblioteca dell'?Archivum Romanicum?. Serie I: Storia, Letteratura, Paleografia 448 Frutto di un progetto che prevede la rivisitazione dell?intera tradizione manoscritta della Commedia, questo libro rappresenta il secondo volume di una serie articolata in sei ?tappe?. ? dedicato ai testimoni della seconda met? del Trecento conservati a Firenze. Si tratta di 66 mss., alcuni dei quali molto noti, che sono stati esaminati sia da un punto di vista codicologico-paleografico, sia in prospettiva filologica. Correda il volume un ricco apparato fotografico. This book, the outcome of a project involving a revisitation of the entire manuscript tradition of the Divine Comedy, is the second volume in a series divided into six ?stages?. It is devoted to copies from the second half of the fourteenth century preserved in Florence and examines 66 manuscripts, some of which very well known, from a codicological and palaeographic standpoint as well as a philological one. It is illustrated with numerous photographs.This book, the outcome of a project involving a revisitation of the entire manuscript tradition of the Divine Comedy, is the second volume in a series divided into six ?stages?. It is devoted to copies from the second half of the fourteenth century preserved in Florence and examines 66 manuscripts, some of which very well known, from a codicological and palaeographic standpoint as well as a philological one. It is illustrated with numerous photographs.This book, the outcome of a project involving a revisitation of the entire manuscript tradition of the Divine Comedy, is the second volume in a series divided into six ?stages?. It is devoted to copies from the second half of the fourteenth century preserved in Florence and examines 66 manuscripts, some of which very well known, from a codicological and palaeographic standpoint as well as a philological one. It is illustrated with numerous photographs.This book, the outcome of a project involving a revisitation of the entire manuscript tradition of the Divine Comedy, is the second volume in a series divided into six ?stages?. It is devoted to copies from the second half of the fourteenth century preserved in Florence and examines 66 manuscripts, some of which very well known, from a codicological and palaeographic standpoint as well as a philological one. It is illustrated with numerous photographs.This book, the outcome of a project involving a revisitation of the entire manuscript tradition of the Divine Comedy, is the second volume in a series divided into six ?stages?. It is devoted to copies from the second half of the fourteenth century preserved in Florence and examines 66 manuscripts, some of which very well known, from a codicological and palaeographic standpoint as well as a philological one. It is illustrated with numerous photographs.This book, the outcome of a project involving a revisitation of the entire manuscript tradition of the Divine Comedy, is the second volume in a series divided into six ?stages?. It is devoted to copies from the second half of the fourteenth century preserved in Florence and examines 66 manuscripts, some of which very well known, from a codicological and palaeographic standpoint as well as a philological one. It is illustrated with numerous photographs.This book, the outcome of a project involving a revisitation of the entire manuscript tradition of the Divine Comedy, is the second volume in a series divided into six ?stages?. It is devoted to copies from the second half of the fourteenth century preserved in Florence and examines 66 manuscripts, some of which very well known, from a codicological and palaeographic standpoint as well as a philological one. It is illustrated with numerous photographs.This book, the outcome of a project involving a revisitation of the entire manuscript tradition of the Divine Comedy, is the second volume in a series divided into six ?stages?. It is