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Home / Forest Books William Laywood / Libri antichi e moderni / The Art of Painting in Oil. Wherein is included each particular circumstance relating to that art and mystery. Containing the best and most approved rules for preparing, mixing, and working of oil colours. The whole treatise being so full compleat, and so exactly fitted to the meanest capacity, that all persons whatsoever, may be able by these directions, to paint in oil-colours all manner of timber-work; such as posts, palls, palisadoes, gates, doors, or any thing else that requires either use, beauty, or preservation, from the violence or injury of the weather. In which is also particularly laid down, all the several circumstances required in painting of sun-dials, printed pictures, shash-windows, &c. in oily-colours. The Seventh edition,

Libri antichi e moderni

Smith (John)

The Art of Painting in Oil. Wherein is included each particular circumstance relating to that art and mystery. Containing the best and most approved rules for preparing, mixing, and working of oil colours. The whole treatise being so full compleat, and so exactly fitted to the meanest capacity, that all persons whatsoever, may be able by these directions, to paint in oil-colours all manner of timber-work; such as posts, palls, palisadoes, gates, doors, or any thing else that requires either use, beauty, or preservation, from the violence or injury of the weather. In which is also particularly laid down, all the several circumstances required in painting of sun-dials, printed pictures, shash-windows, &c. in oily-colours. The Seventh edition,

London: Printed for Dan. Browne, 1759.,

868,76 €

Forest Books William Laywood

(Grantham, Regno Unito)

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Metodi di Pagamento

Dettagli

Autore
Smith (John)
Editori
London: Printed for Dan. Browne, 1759.
Soggetto
FINE ARTS APPLIED ARTS PAINTING

Descrizione

Seventh edition, with additions, 12mo (170 x 95 mm), [8], 100, [2]pp., with final advert leaf, new end papers, neatly rebound in calf-backed marbled boards, uncut, a nice copy. A popular practical decorating manual first published in 1676, with at least a further eight editions followed up to 1788 - all editions are rare. John Smith (1647/8-1727) was a clock-maker who also wrote several horological treatises, on gauging, on the barometer, and on writing. Chapters on the preparation of colours, the making and applying of gold leaf, ëThe art of Back-Painting Metzotinto Prints, with oil-coloursíí. ëThe manner of Painting Cloth, or Sarsnet Sash-Windowsí etc., are included. Provenance: Early ownership signature to head of title ìH. Mackworth Aprl. 6, 1763.î
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