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Libri antichi e moderni

Dogan Kuban.

The miracle of Divrigi: An essay on the art of Islamic ornamentation in Seljuk times. Translated by Nancy Öztürk and Hazem Abueseifan.

Yapi Kredi Yayinlari, 2001

45,00 €

Khalkedon Books, IOBA, ESA Bookshop

(Istanbul, Turchia)

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Metodi di Pagamento

Dettagli

Anno di pubblicazione
2001
ISBN
9789750802904
Luogo di stampa
Istanbul
Autore
Dogan Kuban.
Pagine
0
Editori
Yapi Kredi Yayinlari
Formato
4to - over 9¾ - 12" tall
Soggetto
Architecture & Urbanism
Descrizione
New
Descrizione
Dust jacket
Sovracoperta
Stato di conservazione
Nuovo
Lingue
Inglese
Legatura
Rilegato

Descrizione

Original binding with original dust wrapper. 4to. (34 x 24 cm). 230 p. Color and b/w ills. Very heavy volume. Divrigi is a miracle. It is one of those very unique and seldom-found miracles in the world's long history of art. Commissioned in the 13th century by Turan Melek, the wife of Ahmed Shah, beg of the Mengücek Principality, the mosque and hospital complex in Divrigi (a remote corner of Anatolia) has continued for seven hundred years to present us with unparalleled architectural form an a virtual symphony o ornamentation. With its lush outpouring of description and absolutely magnificent stonework, this brave work of art rears its head in opposition to all of the artistic norms of its period. Bequeathed to mankind by an unknown artisan of great skill, the complex in Divrigi stands to this day as the region's sole and unequalled example of magnificent architecture. In The Miracle of Divrigi, Dogan Kuban provides us with a detailed account an description of the Divrigi Mosque and Hospital from historical, societal, and artistic perspectives and acquaints us with an architectural masterpiece that has been previously overlooked in world art history. This unmatched example of Anatolian art is rediscovered example of Anatolian art is rediscovered with new interpretations and is further enriched with original prints-drawings based on Divrigi ornamentation forms by sculptor / painter Ali Teoman Germaner and by the photographs of Ara Güler and Murat Germen.
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