October 42 Art, Theory, Criticism, Politics. Broodthaers.
October 42 Art, Theory, Criticism, Politics. Broodthaers. | Libri antichi e moderni | Buchloh, Benjamin H.D. [Buchloh, Benjamin] [Edit.] Borgemeister,, Rainer Gevaert, Yves Oppitz, Michael Pelzer, Birgit Rorimer, An, Ne Schwarz, Dieter Snauwaert, Dirk
October 42 Art, Theory, Criticism, Politics. Broodthaers.
October 42 Art, Theory, Criticism, Politics. Broodthaers. | Libri antichi e moderni | Buchloh, Benjamin H.D. [Buchloh, Benjamin] [Edit.] Borgemeister,, Rainer Gevaert, Yves Oppitz, Michael Pelzer, Birgit Rorimer, An, Ne Schwarz, Dieter Snauwaert, Dirk
Metodi di Pagamento
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Dettagli
- Autore
- Buchloh, Benjamin H.D. [Buchloh, Benjamin] [Edit.] Borgemeister,, Rainer Gevaert, Yves Oppitz, Michael Pelzer, Birgit Rorimer, An, Ne Schwarz, Dieter Snauwaert, Dirk
- Editori
- , Cambridge, Mass. : The MIT Press , 1988
- Soggetto
- Belgische kunst na 1830, Belgium art after 1830, Belgium art after 1830, Belgium art after 1830
Descrizione
Original publishers paper-covered boards, white wrappers printed in black & red. 210 pages, 8vo; illustrated, Bibliography by Marie-Pascale Gildemyn. **VERY FINE CONDITION!. ISBN 0262521350. October books. - Cambridge, Mass.; vol. 1988: 1. printed in black & red. Bibliography by Marie-Pascale Gildemyn. Hint of toning & soil at edges of white covers. Marcel Broodthaers (b. January 28, 1924 d. January 28, 1976) was a Belgian poet, filmmaker and artist. He struggled with poverty for twenty years as a poet, before the idea of inventing something insincere dawned on him which began with the production of objects such as embedding fifty unsold copies of his book of poems Pense-B te in plaster as "a concrete gesture", in which one cannot access the book without destroying the sculpture, passing this prohibition along to the viewer. "During his short yet prolific period as an artist, he radically rethought conventional approaches to poetry, film, books, and exhibition practice itself, proving enormously influential to future generations of artists." (Francis Wilmott, MoMA)