Descripción

Text auch englisch. Ein gutes und sauberes Exemplar. - THE NEED FOR A DISCOURSE: THE BIENNIAL AND AN INTELLECTUAL PLATFORM -- (NON)EXHIBITION SPACES Production and Appropriation: (Non)Exhibition Strategies of Contemporary Art -- Axel Wieder. Negotiating Spaces -- Anton Vid Okie. Artistic Sovereignty, Contemporary Art and a Curated World -- Willem Jan Renders. The Van Abbe Museum: Between Dispersed and Transparent -- 2nd Ural Industrial Biennial: Conversion of Meanings -- VISUAL MODALITIES Olga Shishko. Allvision -- Christiane Paul. Measuring Disturbances: How Media Look at the World -- Vlad Strukov. Screen Tactics: The Art of the Digital Era Looks Back -- Andrey Shcherbenok.Technological Gaze and Social Reality: Why Dziga Vertov Did Not Invent YouTube -- Phillip Warnell.The Glance as a Blow -- David Raskin. Pattern Disruption -- Hadas Maor. Contemplating the Possibility of Criticality within the Field of Visual Art -- REAPPROPRIATION OF IMAGES Daniel Garc�And�jar. Postcapital Archive -- Inke Arns. Why Art is not Making the World a Less Dangerous Place and Why It Should Not Do So -- Tai Ben-Zvi. Diaspora Project "3 for 10' -- Sergey Kropotov. The Politics of Camouflage in Industrial Culture: From Simeon of Verkhoturye to Street Art -- Lilia Nemchenko. Labor as celebration -- CULTURAL PRODUCTION Pascal Gielen. Rebuilding Common Ground in a Flat Wet World -- Kuba Szreder.The Apparatus of Project Making: Art World under the Projective Value Regime -- Art in the Age of Post-Fordism: A Critique of the Total Context? -- Huib Haye van der Werf. Ekaterinburg 2025. ISBN 9785321022535

Lingue: ru