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Libros antiguos y modernos

Frosinii Cecilia

Agnolo Gaddi e la Cappella Maggiore di Santa Croce a Firenze.Studi in occasione del restauro

Silvana Editoriale, 2014

80,00 €

De Bei Libraio

(Preganziol, Italia)

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Formas de Pago

Detalles

Año de publicación
2014
ISBN
9788836629480
Lugar de impresión
Cinisello Balsamo ( MI )
Páginas
338
Volúmenes
1
Editores
Silvana Editoriale
Formato
290 x240 mm>
Curador
Frosinii Cecilia
Edición
quarta edizione
Descripción
Neuf
Descripción
Couverture rigide
Conservación
Nuevo
Idiomas
Italiano
Primera edición
No

Descripción

Title: AGNOLO GADDI and the Cappella Maggiore in Santa Croce in Florence : Studies after its Restoration Author: Frosinini, Cecilia (ed) Price: $77.50 = Euro 50,00.- ISBN: 9788836629572 Description: Milano: Silvana, 2014. 29cm., hardcover, 338pp., 200 color illus. English text. Summary: The Cappella Maggiore of the Franciscan basilica of Santa Croce in Florence was, under the patronage of the noble Alberti family, the final chapel in the old transept to be frescoed, at the end of the fourteenth century. The commission was awarded to Agnolo Gaddi, the last in a family of painters boasting direct artistic descent from Giotto. Culturally and artistically, the decoration of the chapel, comprising a magnificent cycle illustrating the Legend of the True Cross, has many meanings in the context of the Florentine milieu at the time. From the theological perspective, the choice of one of the themes dearest to the Franciscans was of course linked to the dedication of the church to the Holy Cross, but it was also connected to the Franciscans' role as the so-called Custodians of the Holy Land. It reaffirmed, therefore, the order's fundamental role as defenders of the Church. From the artistic point of view, this cycle concluded the grand arc of Florentine painting that originated with Giotto, through its validation, through the choice of Agnolo Gaddi, of the importance of continuity and tradition. But, at the same time, it also opened up a new path, an attempt to insert the late-Gothic style into that tradition. The cycle also became an unavoidable iconographic reference, certainly used up to the Renaissance and Piero della Francesca's True Cross cycle in Arezzo. For all of these reasons and more besides, which the reader will find inside this volume, it was important to take a new look at this primary text upon completion of its restoration by the Opificio delle Pietre Dure (carried out between 2005 and 2010). The decision to bring together a group of experts from different disciplines and put them in relation with the material and technical data provided by the restorers opens up a new path for future research of this kind. The new context one reconstructs serves as a challenge and a stimulus to move beyond the circle defined by more traditional scholarship and explore the possibilities that technical expertise can offer the humanistic disciplines. Size: 285 X240 mm. Language : Italian text
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