Descripción

p., 25 x 24 cm, bross., num. b/n ill. MICHAEL JAFFÉ - Rubens's Portrait of Isabella de Bourbon, Queen of Spain (pp. 9—14) DIDIER BODART - Pierre-Paul Rubens et la «Vengeance de Samson»: son oeuvre charniere inédite de la période italienne (pp. 15—30) DIANE APOSTOLOS-CAPPADONA - The Essence of Agony: Grünewald's Influence on Picasso (pp. 31—47) JOANNE G. BERNSTEIN - The Female Model and the Renaissance Nude: Dürer, Giorgione, and Raphael (pp. 49—63) PATRICIA FORTINI BROWN - The Antiquarianism of Jacopo Bellini (pp. 65—84) JOHN T. PAOLETTI - Wooden Sculpture in Italy as Sacral Presence (pp. 85—100) DEBRA PINCUS - Venice and the Two Romes: Byzantium and Rome as a Double Heritage in Venetian Cultural Politics (pp. 101—114) LAWRENCE D. STEEFEL, JR. - The Neglected Fruit Cluster in Picasso's Les Demoiselles d'Avignon (pp. 115—120) ROELOF VAN STRATEN - Early Works by Lievens and Rembrandt in Two Unknown Still Lifes (pp. 121—142) MARGARET A. SULLIVAN - Bruegel's Misanthrope: Renaissance Art for a Humanist Audience (pp. 143—162) LINDA WOLK-SIMON - The 'Pala Doria' and Andrea Doria's Mortuary Chapel: A Newly Discovered Project by Perino del Vaga (pp. 163—175) JAN K. OSTROWSKI - Studi su Raffaele Soprani (pp. 177—189) FREDERICK HARTT - Michelangelo in Heaven (pp. 191—209)