Descripción

Tadellos. - Table of Contents -- Chapter 1 -- Work and Oeuvre 13 -- Between romanticism and modernism 14 -- Style 17 -- The social-national dimension of creative output 17 -- Character of the sources 19 -- State of research 20 -- Periodisation of the oeuvre 25 -- Chapter 2: Early Romantic Output (i): Between -- Historicism and Folklorism (1876-84) 31 -- 2.1 The compositional interpretation of Romantic historicism 31 -- 2.2 From salon convention to personal lyric - the early -- instrumental miniature 40 -- 2.3 Folklore in the national spirit: Danses polonaises, -- Op. 5 and Op. 9 45 -- Chapter 3: Early Romantic Output (ii): in the Shackles -- of Berlin Academicism and the National -- Tradition (1882-84) 53 -- 3.1 In the sphere of the Chopin-Moniuszko tradition - -- VierLieder, Op. 7 and 'Maienblume' 53 -- 3.2 Around a Romantic topic - between Schumannian -- Charakterstuck and Lisztian programme 64 -- 3.3 The idea of syncretic form - the Variations et -- fugue in A minor, Op. 11 75 -- 3.4 Source folklore in the national spirit or salon-style -- musique orientale? The Tatra Album, Op. 12 79 -- 3.5 Berlin academicism and national style - chamber -- and orchestral works 97 -- Chapter 4: Mature Romantic Output (1884-96) 105 -- 4.1 Relative historicism: stile antico - stile moderno - -- Humoresques de concert.Op. 14 105 -- 4.2 A synthesis of the lyrical and the narrative in a cyclic form, -- Miscellanea. Sirie de morceaux pour piano, Op. 16; Canzone. 113 Ligende in A flat major, Ligende in A major 114 -- Melodie in G flat major, Nocturne in B flat major, -- Canzone 118 -- Thtme varie, Op. 16 No. 3 122 -- Un moment musical in A flat major, Minuet in A major 124 -- 4.3 Between the national and the universal in a large cyclic work 125 -- Thematic virtuosity - the Sonata in A minor, Op. 13 126 -- Piano Concerto in A minor, Op. 17 - a -- Schumannesque pendant? 129 -- Violin Concerto in G minor (sketches) 135 -- An apology of Polish folklore - the Fantaisie polonaise sur -- des thimes originaux pour piano et orchestre, Op. 19 139 -- 4.4 Romantic inspirations of the modernist watershed 146 -- Six Songs for voice and piano, Op. 18 146 -- Dans le desert. Tableau musical en forme d'une toccata, Op. 15 155 -- Chapter 5: Stylistic Polarisation in the Face of -- Modernist Trends (1893-1909) 161 -- 5.1 Manru. Lyrisches Drama, Op. 20 - eclecticism or syncretism?. 161 -- From Manolo to Manru - genesis 162 -- The literary original and Alfred Nossigs libretto: -- structure and ideas 165 -- The symbolic drama and the 'Wagner method' 174 -- Synthetism, eclecticism or stylistic disintegration? 179 -- The conception of Manru in the light of foreign poetics 182 -- Manru as a parallel of the composer's identity? 185 -- 5.2 On the threshold of a modernist stylistic polarisation: the -- Sonata in E flat minor, Op. 21 and Variations etfugue in -- E flat minor, Op. 23 187 -- 5.3 Chansons & lafrangaise or a creative dialogue with -- French symbolism: the Douze Melodies, Op. 22 and -- 'Dans la forSt' to words by Thfophile Gautier 199 -- 'Dans la foret' - the Romantic roots of symbolism 199 -- Douze Melodies, Op. 22 'the marriage of love and death' 203 -- 5.4 In memoriam � sursum corda: The 'Polonia' Symphony -- in B minor, Op. 24 223 -- Specifics of musical narrative 229 -- The symbolism of the semantic code 230 -- Opposition to tyranny and a declaration of unity - -- a critique of style 238 ISBN 9783631662151