Boris Godunov: Transposition of a Russian Theme (Indiana-Michigan Series in Russian & East European Studies)
Boris Godunov: Transposition of a Russian Theme (Indiana-Michigan Series in Russian & East European Studies)
Formas de Pago
- PayPal
- Tarjeta de crédito
- Transferencia Bancaria
- Pubblica amministrazione
- Carta del Docente
Detalles
- Autor
- Emerson Caryl
- Editores
- Indiana University Press, 1986
- Materia
- musica
- Descripción
- H
- Sobrecubierta
- False
- Conservación
- Bueno
- Encuadernación
- Tapa dura
- Copia autógrafa
- False
- Primera edición
- False
Descripción
8vo, ex library with stamps and stickers, ow. good. no dust jacket, 272pp. Summary: The tale of Boris Godunov-tsar, usurper, tsarecide-dating from the early seventeenth-century Time of Troubles, inspired three major nineteenth-century Russian cultural expressions: in history by Nikolai Karamzin, in drama by Alexander Pushkin, and in opera by Modest Musorgsky. Each of these famous creations was a vehicle for generic innovation, in which a specifically Russian concept of genre was asserted in opposition to the reigning European models: German historiography, French melodrama, and Italian opera. Within a Bakhtinian framework, Caryl Emerson explores these three versions of the Boris Tale, the context of their genesis, and their complex interrelationships
