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Libros antiguos y modernos

Webb, Ruth

Demons and Dancers: Performance in Late Antiquity.

Cambridge, London: Harvard University Press, 2008.,

49,00 €

Bookshop Buch Fundus

(Berlin, Alemania)

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Detalles

ISBN
9780674031920
Autor
Webb, Ruth
Editores
Cambridge, London: Harvard University Press, 2008.
Formato
VI, 296 p.: Ill. Cloth with dustjacket.
Sobrecubierta
No
Idiomas
Inlgés
Copia autógrafa
No
Primera edición
No

Descripción

Aus der Bibliothek von Prof. Wolfgang Haase, langj�igem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Schutzumschlag minimal besto�n und Hinterdeckel etwas berieben, sonst sehr guter Zustand, inklusive einer Rezension des Buches aus TLS / dust jacket minimally scuffed and back cover a bit rubbed, otherwise very good condition, includes a review of the book from TLS. - Compared with the wealth of information available to us about classical tragedy and comedy, not much is known about the culture of pantomime, mime, and dance in late antiquity. Charges of obscenity and polemical anti-theater discourse have, at times, erased these popular performance traditions from the modern imagination. Demons and Dancers returns us to the times and places where those great ancient theaters were more than picturesque ruins dotting the Mediterranean landscape. Ruth Webb fills this gap in our knowledge of the ancient world and provides us with a richly detailed look at social life in the late antique period through an investigation of its performance culture. The book focuses on the eastern empire, from Greece proper to modern-day Turkey and Egypt, between the second and sixth centuries CE. Using tools provided by modern performance theory, this book explains how audiences interpreted the actions on stage, how the status of male and female performers shifted across time and place, how skilled the actors actually were (it was commonplace to dismiss these performers for their lack of skill), and what role spectacles involving spoken and sung words, as well as stylized gestures, had in Greco-Roman civic life. / CONTENTS Acknowledgments Note to the Reader Introduction 1 Theater and Society 2 Performers 3 Pantomime: The Dancing Body 4 The Pantomime as Drama: Dancers, Audiences, and the Communicative Body 5 Mime: The Drama of Everyday Life 6 Mime, Humor, and Society 7 Images of Actors: Identification and Estrangement 8 Ideas of the Audience: Possession ami the Eye 9 Christians and the Theater Conclusion. ISBN 9780674031920
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