Montale, the modernist

cm 17 x 24, viii-234 pp. con 4 figg. n.t. Biblioteca dell'?Archivum Romanicum?. Serie I: Storia, Letteratura, Paleografia 464 Montale viene qui studiato per l?adesione al modernismo che manifest? nella prima met? del suo percorso poetico (1925-1954). Tracciando la sua evoluzione letteraria dal simbolismo al modernismo, e infine descrivendo il prevalere della sua poetica modernista, i sette capitoli collocano la quintessenza della poesia italiana del ?900 in un contesto europeo, sostenendo una nuova interpretazione di Montale come potente forza modernista, a fianco di figure come Eliot, Pound, Svevo, Larbaud e Joyce. Montale, the Modernist identifies the Nobel-winning Italian poet as a preeminent modernist practitioner in the first half of his poetic trajectory (1925-1954). Tracing Montale?s literary evolution from symbolism to modernism, and eventually describing the overcoming of his modernist poetics, the seven chapters position the quintessential voice of twentieth-century Italian poetry within a European context, arguing for a new understanding of Montale as a powerful modernist force, alongside such figures as Eliot, Pound, Svevo, Larbaud, and Joyce, with all of whom he was in direct contact. Montale, the Modernist identifies the Nobel-winning Italian poet as a preeminent modernist practitioner in the first half of his poetic trajectory (1925-1954). Tracing Montale?s literary evolution from symbolism to modernism, and eventually describing the overcoming of his modernist poetics, the seven chapters position the quintessential voice of twentieth-century Italian poetry within a European context, arguing for a new understanding of Montale as a powerful modernist force, alongside such figures as Eliot, Pound, Svevo, Larbaud, and Joyce, with all of whom he was in direct contact. Montale, the Modernist identifies the Nobel-winning Italian poet as a preeminent modernist practitioner in the first half of his poetic trajectory (1925-1954). Tracing Montale?s literary evolution from symbolism to modernism, and eventually describing the overcoming of his modernist poetics, the seven chapters position the quintessential voice of twentieth-century Italian poetry within a European context, arguing for a new understanding of Montale as a powerful modernist force, alongside such figures as Eliot, Pound, Svevo, Larbaud, and Joyce, with all of whom he was in direct contact. Montale, the Modernist identifies the Nobel-winning Italian poet as a preeminent modernist practitioner in the first half of his poetic trajectory (1925-1954). Tracing Montale?s literary evolution from symbolism to modernism, and eventually describing the overcoming of his modernist poetics, the seven chapters position the quintessential voice of twentieth-century Italian poetry within a European context, arguing for a new understanding of Montale as a powerful modernist force, alongside such figures as Eliot, Pound, Svevo, Larbaud, and Joyce, with all of whom he was in direct contact. Montale, the Modernist identifies the Nobel-winning Italian poet as a preeminent modernist practitioner in the first half of his poetic trajectory (1925-1954). Tracing Montale?s literary evolution from symbolism to modernism, and eventually describing the overcoming of his modernist poetics, the seven chapters position the quintessential voice of twentieth-century Italian poetry within a European context, arguing for a new understanding of Montale as a powerful modernist force, alongside such figures as Eliot, Pound, Svevo, Larbaud, and Joyce, with all of whom he was in direct contact. Montale, the Modernist identifies the Nobel-winning Italian poet as a preeminent modernist practitioner in the first half of his poetic trajectory (1925-1954). Tracing Montale?s literary evolution from symbolism to modernism, and eventually describing the overcoming of his modernist poetics, the seven chapters position the quintessential voice of twentieth-century Italian poetry within a European context, ar