Questo sito usa cookie di analytics per raccogliere dati in forma aggregata e cookie di terze parti per migliorare l'esperienza utente.
Leggi l'Informativa Cookie Policy completa.

Sei in possesso di una Carta del Docente o di una Carta della Cultura? Scopri come usarli su Maremagnum!

Research and Conservation of the Interior: The Lower Register The Ghent Altarpiece978

Libros antiguos y modernos
Griet Steyaert, Marie Postec, Jana Sanyova, Hélène Dubois (Eds)
Brepols Publishers, 2021
75,00 €
(Preganziol, Italia)
Habla con el librero

Formas de Pago

Detalles

  • Año de publicación
  • 2021
  • ISBN
  • 9782930054414
  • Lugar de impresión
  • Turnhout
  • Autor
  • Griet Steyaert, Marie Postec, Jana Sanyova, Hélène Dubois (Eds)
  • Páginas
  • 210
  • Volúmenes
  • 1
  • Editores
  • Brepols Publishers
  • Formato
  • 280 X220 mm.
  • Edición
  • prima edizione
  • Descripción
  • nuovo
  • Descripción
  • Rilegato
  • Conservación
  • Nuevo
  • Idiomas
  • Inlgés
  • Primera edición
  • True

Descripción

Research and Conservation of the Interior: The Lower Register The Ghent Altarpiece Griet Steyaert, Marie Postec, Jana Sanyova, Hélène Dubois (eds) Quantità: 1 New/Hardback EUR 75,00 Hardcover,210 pages ., 420 col. ills, 220 x 280 mm, Texte English . ISBN 9782930054414. The Ghent Altarpiece by Hubert and Jan van Eyck has always attracted both admiration and curiosity. Following the conservation of the paintings of the closed polyptych, it was the turn of those from the lower register of the open altarpiece ? including the famous Adoration of the Lamb ? to undergo a major research and conservation campaign by the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels) between 2016 and 2020. The findings reflect those for the closed altarpiece: large areas of the panels were covered with overpaints, the vast majority dating from the 16th century. Their removal allows the Van Eycks brothers? paintings to be truly appreciated again. The three years that the conservators spent working on the panels enabled them to examine the paintings down to the smallest details. Interdisciplinary collaboration with laboratory scientists, art historians and imaging experts led to a series of discoveries ? some anticipated in light of earlier research, others unexpected. The authenticity of the quatrain stating that Hubert had begun the work, that his brother Jan completed it and that it was presented in 1432, has been firmly established for some years now. New hypotheses are proposed here regarding the division of labour between the two Van Eyck brothers. The contribution of Hubert, who died in 1426, can finally be seen more clearly and is far from negligible. But the removal of overpaints has revealed non-Eyckian interventions too. Codice articolo013145 Language : English text Coll. Garage 1 : Settore Van Eyck

Logo Maremagnum es