Questo sito usa cookie di analytics per raccogliere dati in forma aggregata e cookie di terze parti per migliorare l'esperienza utente.
Leggi l'Informativa Cookie Policy completa.

Sei in possesso di una Carta del Docente o di un Buono 18App? Scopri come usarli su Maremagnum!

Libros antiguos y modernos

Sharpe, Kevin

Selling the Tudor Monarchy: Authority and Image in Sixteenth-Century England.

New Haven - London : Yale University Press, 2009.,

49,00 €

Bookshop Buch Fundus

(Berlin, Alemania)

Habla con el librero

Formas de Pago

Detalles

ISBN
9780300140989
Autor
Sharpe, Kevin
Editores
New Haven, London : Yale University Press, 2009.
Formato
XXIX, 588 p., ill. Original hardcover with dust jacket.
Sobrecubierta
No
Idiomas
Inlgés
Copia autógrafa
No
Primera edición
No

Descripción

From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slightly rubbed jacket, otherwise very good and clean. Includes two reviews of the book. / Leicht beriebener Umschlag, sonst sehr gut und sauber. Beiliegend zwei Rezensionen zum Buch. - The management of image in the service of power is a familiar tool of twenty-first century politics. Here a leading historian reveals how, from even before the Reformation, the Tudors sought to sustain and enhance their authority by representing themselves to their people through the media of building, print, art, material culture and speech. Deploying what we might now describe as �spin�, Tudor rulers worked actively as patrons and popularisers to present themselves to the best advantage. Familiarity, however, brought risk. The art of royal representation was a delicate balance between mystification and popularisation, and those rulers who most used it - notably Henry VIII and Elizabeth I - enjoyed the longest reigns and, at most times, wide support. Yet even in Elizabeth�s case successful imagemaking tended to surrender her authority to popular construction. By the end of the sixteenth century, the Tudors had survived reformations and rebellions, strengthened the crown and imprinted themselves on the imaginations and lives of their subjects. Yet relentless promotion of the royal image had desacralised it, leaving a difficult legacy for their Stuart successors. This first sustained analysis of the verbal and visual representations of Tudor power embraces art history, literary studies and the history of consumption and material culture. It reflects years of study of the texts, pictures, modes and forms of representation which circulated images of authority to a public increasingly eager to acquire them. - Kevin Sharpe is Professor of Renaissance Studies and Director of the Centre for Renaissance and Early Modern Studies, Queen Mary, University of London. His books include The Personal Rule of Charles I (1992) and Reading Revolutions (2000), both published by Yale. ISBN 9780300140989
Logo Maremagnum es