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Libros antiguos y modernos

Carlvant-Boysen Kerstin

The Manuscript Painting in the Thirteenth-Century Flanders,Bruges,Ghent and the Circle of the Counts

Harvey Miller Publishers ( Distr.Brepols Publishers ), 2012

205,00 €

De Bei Libraio

(Preganziol, Italia)

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Formas de Pago

Detalles

Año de publicación
2012
ISBN
9781905375677
Lugar de impresión
London/Turnhout
Autor
Carlvant-Boysen Kerstin
Páginas
542
Volúmenes
1
Editores
Harvey Miller Publishers ( Distr.Brepols Publishers )
Formato
290 x 230 mm.
Edición
prima edizione
Descripción
nuovo
Descripción
Rilegato
Conservación
Nuevo
Idiomas
Inlgés
Primera edición

Descripción

The Manuscript Painting in the Thirteenth-Century Flanders,Bruges,Ghent and the Circle of the Counts Carlvant Kerstin Editore: Brepols publishers, Turnhout, 2012 Da: Luigi De Bei, PREGANZIOL, TV, Italia Valutazione venditore: 5 stelle Contatta il venditore LIBRO PRIMA EDIZIONE Nuovo - Rilegato Condizione: Neuf EUR 205,00 Convertire valuta EUR 11,86 Spese di spedizione In Italia Quantità: 1 Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. ------------------------------------------------------------ -------------------- Item Number: 013787 Title: Manuscript Painting in Thirteenth-Century Flanders. Bruges, Ghent and the Circle of the Counts Author: Carlvant, Kerstin Price: Euro 205,00.- ISBN: 9781905375677 Description: Turnhout: Brepols, 2012. 29cm., hardcover, 542pp. illus., 18 color plates. Summary: This is the first comprehensive and in-depth study of the earliest figural painting ever to have been produced in Flanders on a continual basis. Most of the manuscripts are Psalters, but Bibles, a Breviary, a Missal, a Netherlandic life of a saint, and yet other texts occur. Three main categories of illuminator are distinguishable: those working in Bruges, in Ghent, and, at least in part, for the circle of the counts of Flanders. The principal chapters and the catalog segments are organized around their individual contributions. An arrangement in time and place of the total body of work was obtained through a lengthy and rigorous process of comparison of figural, ornamental and writing styles, codicological and textual features. Several distinctive Flemish patterns of Psalter iconography have emerged; these are presented in tabular form with accompanying commentaries. A surprising amount of information about the early owners of the books, mostly well-to-do members of the laity, was yielded in the analysis for the manuscript catalogs. Size: in-4°.
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