Titian and the Altarpieces in Renaissance Venice
Titian and the Altarpieces in Renaissance Venice
Formas de Pago
- PayPal
- Tarjeta de crédito
- Transferencia Bancaria
- Pubblica amministrazione
- Carta del Docente
Detalles
- Año de publicación
- 2000
- ISBN
- 0521640954
- Lugar de impresión
- Cambridge
- Autor
- Patricia Meilman
- Volúmenes
- 1
- Editores
- Cambridge University Press
- Formato
- Ottavo
- Edición
- Edition originale
- Materia
- Arte, Generale
- Descripción
- Comme neuf
- Descripción
- Couverture rigide
- Conservación
- Como nuevo
- Idiomas
- Italiano
- Primera edición
- True
Descripción
Patricia Meilman,Titian and the Altarpieces in Renaissance Venice.Cambridge 2000 Cambridge University Press Pages 265 ills.8 tavole a colori e 70 in bianco/nero Ottavo Cloth.- Description: BRAND NEW HARDBACK. 263 X 187mm. 284 pgs. Synopsis: This study examines the development of the altarpiece in sixteenth-century Venice. Focusing closely on Titian's St. Peter Martyr Altarpiece, which was the most famous work by this painter, destroyed in 1867, Patricia Meilman considers how this painting irrevocably changed the course of altar decoration. Demonstrating the legacy of the St. Peter Martyr Altarpiece with a younger generation of painters, she also examines the social, religious and historical events of the decades just before the Tridentine reforms and their impact on devotional imagery and practices.XX