Giovanni Bellini et la France (XVI-XX siècles): les aléas d'une reconaissance. L'autore analizza il particolare momento della ricezione e dello studio dell'arte di Giovanni Bellini in Francia nell'Otto e nel Novecento, quando importanti artisti, da Eugène Delacroix a Hernest Hébert, copiano le tavole del Giambellino conservate nelle collezioni soprattutto parigine e veneziane.

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