The American Aeneas: Classical Origins of the American Self.
The American Aeneas: Classical Origins of the American Self.
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Details
- ISBN
- 9781572331327
- Author
- Shields, John C.
- Publishers
- Knoxville: University of Tennessee Press, 2001.
- Size
- XLV, 432 p. Cloth with dustjacket.
- Dust jacket
- False
- Languages
- English
- Inscribed
- False
- First edition
- False
Description
Aus der Bibliothek von Prof. Wolfgang Haase, langj�igem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Schutzumschlag minimal berieben, sonst sehr guter Zustand, mit pers�nlicher Widmung des Authors an Wolfgang Haase, inklusive einer Rezension des Buches / dust jacket minimally rubbed, otherwise very good condition, with personal dedication of the author to Wolfgang Haase, including a review of the book. - In The American Aeneas, John C. Shields exposes a significant cultural blindness within American consciousness. Noting that the biblical myth of Adam has long dominated ideas of what it means to be American, Shields argues that an equally important component of our nation�s cultural identity�a secular one deriving from the classical tradition�has been seriously neglected. The author finds various Early American texts, including pastorals, pastoral elegies, literary independence poems, tracts on educational theories, religious discourses, and political writings, laden with elements of classicism, particularly the myth of Aeneas as depicted by Vergil. Shields demonstrates that Aeneas, Vergil�s hero of the Aeneid, was an especially apt figure for New World discourse in that he epitomized �the sailor who struck out onto dangerous, uncharted seas in order to discover a new land in which to build a new civilization.� Shields shows how both the myth of Adam and the myth of Aeneas, in crossing over to America from Europe, dynamically intermingled in the thought of the earliest American writers. This rearticulation of the myths of Adam and Aeneas became peculiarly adapted to the demands of the American adventure in freedom. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of �pastlessness� that the long-standing emphasis on the Adamic myth has generated. The authors probing analysis sheds new light on the works of such seminal figures as Edward Taylor, Cotton Mather, Phillis Wheatley, George Washington, Nathaniel Hawthorne, and Herman Melville. But it does much more than that�it posits a new model for American studies. �This model,� Shields writes, �is not composed of a single strand which can only direct the struggle to explore the dimensions of American culture in a linear fashion�an inevitable dead end. The image of two strands coming together, intertwining and interconnecting so as to accommodate virtually infinite possibilities, more accurately captures the dynamic of Americanness.� / Contents Preface Acknowledgments Introduction: The Quest for the American Aeneas Part I. Adam and Aeneas: 1500-1720 1. Translatio Cultus 2. Edward Taylor�s Classicism 3. Cotton Mather�s Epic in Prose Part II. Adam Becomes Aeneas: 1720-1784 4. Surge for Cultural Independence: The Flourishing of American Classicism 5. George Washington and the Vergilian Moment 6. The American Epic Writ Large: The Example of Phillis Wheatley Part III. Aeneas Becomes Adam: 1784 to the Present 7. The Radical Shift in Discourse 8. The Persistence of the American Aeneas in Hawthorne 9. The Persistence of the American Aeneas in Melville Conclusion: America�s Classical Origins Besieged Notes Bibliography Index. ISBN 9781572331327