The miracle of Divrigi: An essay on the art of Islamic ornamentation in Seljuk times. Translated by Nancy Öztürk and Hazem Abueseifan.
The miracle of Divrigi: An essay on the art of Islamic ornamentation in Seljuk times. Translated by Nancy Öztürk and Hazem Abueseifan.
Payment methods
- PayPal
- Credit card
- Bank transfer
- Pubblica amministrazione
- Carta del Docente
Details
- Year of publication
- 2001
- ISBN
- 9789750802904
- Place of printing
- Istanbul
- Author
- Dogan Kuban.
- Pages
- 0
- Publishers
- Yapi Kredi Yayinlari
- Size
- 4to - over 9¾ - 12" tall
- Keyword
- Architecture & Urbanism
- Cover description
- New
- Binding description
- Dust jacket
- Dust jacket
- True
- State of preservation
- New
- Languages
- English
- Binding
- Hardcover
Description
Original binding with original dust wrapper. 4to. (34 x 24 cm). 230 p. Color and b/w ills. Very heavy volume. Divrigi is a miracle. It is one of those very unique and seldom-found miracles in the world's long history of art. Commissioned in the 13th century by Turan Melek, the wife of Ahmed Shah, beg of the Mengücek Principality, the mosque and hospital complex in Divrigi (a remote corner of Anatolia) has continued for seven hundred years to present us with unparalleled architectural form an a virtual symphony o ornamentation. With its lush outpouring of description and absolutely magnificent stonework, this brave work of art rears its head in opposition to all of the artistic norms of its period. Bequeathed to mankind by an unknown artisan of great skill, the complex in Divrigi stands to this day as the region's sole and unequalled example of magnificent architecture. In The Miracle of Divrigi, Dogan Kuban provides us with a detailed account an description of the Divrigi Mosque and Hospital from historical, societal, and artistic perspectives and acquaints us with an architectural masterpiece that has been previously overlooked in world art history. This unmatched example of Anatolian art is rediscovered example of Anatolian art is rediscovered with new interpretations and is further enriched with original prints-drawings based on Divrigi ornamentation forms by sculptor / painter Ali Teoman Germaner and by the photographs of Ara Güler and Murat Germen.